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Jens Thomas plays Ennio Morricone(ACT 9273-2)
The music uploaded by Russian Alex. Thanks web friend Alex
E-mail of Alex: capshow@mail.ru
The VIP member special area has been opened in 2011
To meet the Morricone fans's requirement that In-depth study the series of works of the great master Ennio Morricone
Providing complete summary and play in online of the OST and the flms of 401 official works of Ennio Morricne
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German pianist Jens Thomas

Jens Thomas plays Ennio Morricone(ACT 9273-2)

Original music is 200-220Kbps Mp3

Jens Thomas plays Ennio Morricone(ACT 9273-2)
Jens Thomas, den der K?lner Stadtanzeiger schon mal zum "Himi Hendrix des Flügels" erkor, wurde 1970 in Braunschweig geboren. Erst mit 19 erschloss sich der zun?chst mit klassischem Klavierunterricht und sp?ter mit Rockmusik aufgewachsene Pianist langsam die Welt des Jazz. Seine Idole hei?en bis dahin auch nicht Hancock, Jarrett oder Monk, sondern Police, AC/DC und BAP (!). Ein typisch bunter Mix für einen pupertierenden Pianisten, wenn ...(see here)

(Auto translate from here) Jens Thomas, that the Cologne city indicators already times to the “Himi Hendrix of the wing” erkor, 1970 in Braunschweig were born. Only with 19 first with classical piano instruction and later with skirt music pianist grown up was opened slowly the world of the jazz. Its Idole are called up to then also not Hancock, Jarrett or Monk, separate policy, ACDC and BAP (!). Typically more multicolored mix for a pupertierenden pianist, if…

Jens Thomas plays Ennio Morricone(ACT 9273-2)

You Can't Keep a Good Cowboy Down contains some of Morricone's most important themes, themes that God knows are not just simply background music for spaghetti Westerns. With an amazing feeling for musical images, with a loving rearranging of the rhythmic, harmonic, and melodic source, Thomas demonstrates how one can treat the material both freely and at the same time with respect. When Jens sent him a copy of the recording, Ennio Morricone reacted enthusiastically to the music. He wrote back, "The quality of your piano playing and improvisation is remarkable. Your fantasy and technique is on the highest level". Eight pieces are recorded in solo, at times accompanied by the ticking pendulum of a metronome. On four compositions Jens Thomas is accompanied by two important players in the Italian jazz scene: the Sardinian trumpeter Paolo Fresu and the accordion virtuoso Antonello Salis. (See here)

 

About Jens Thomas 01, 0203  About CD 01, 02, 03, 04, 05  About ACT comp. 01, 02
 
 
No.
Name
WMA Listen
001
you can't keep a good cowboy down (overture)
002
the man with the harmonica
003
the good, the bad and the ugly
004
cockeye's song
005
once upon a time in america
006
deborah's theme
007
the battle of laatzen
008
once upon a time in the west
009
for maestro morricone
010
poverty
011
pioggia
012
here's to you
 
 
 
 
 
 
Ennio Morricone Mini biography: A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialised in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for Per un pugno di dollari (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionised the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies -making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's Uccellacci e uccellini (1966). It must be stressed that he is *not* behind the work of the entirely separate composers Bruno Nicolai and Nicola Piovani despite allegations made by more than one supposedly reputable film guide! (see here)

 

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