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English ---> engfpages-000 --> engfpages-f1009-2 Same CN

engmus-f1009-2 Morricone's music uploaded by web friend

A Fistful of film music-2

The Morricone's music uploaded by Ixun1314. Thanks web friend Ixun1314

E-mail of Ixun1314 : ixun1314@126.com

 

Below music are from a CD-2 issued in 1995--“A Fistful of film music", 320kbps MP3.

 

No.
Name
listen in online with WMA format
001
Duck, You Sucker
002
March Of The Beggars
003
Senza Motivo Apparente
004
Pazzia Da Lavoro
005
Il Moi Nome E Nessuno
006
Moses Theme
007
Magic And Ecstasy
008
Gli Scatenati
009
Il Gatto
010
Bobodog
011
Cavallina A Cavallo
012
La Tragedia Di Un Umo Ridicolo
013
Chi Mai
014
Sinfonia D'Una Citta, Part II
015
Cockeye's Song
016
On Earth As It Is In Heaven
017
Al Capone
018
The Untouchables
019
From American Sex Appeal To The First Fellini
020
Tie Me Up! Tie Me Down!
021
Act Of Faith

Honorary Oscar 2006 goes to composer Ennio Morricone

congratulations Morricone most heartily

Ennio Morricone Mini biography: A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialised in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for Per un pugno di dollari (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionised the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies -making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's Uccellacci e uccellini (1966). It must be stressed that he is *not* behind the work of the entirely separate composers Bruno Nicolai and Nicola Piovani despite allegations made by more than one supposedly reputable film guide! (see here)

 

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